Rising Stars 2022

Discover the Best Young Artists to Collect in 2022

Each fall for the last ten years, our curators have published their definitive list of recent art school graduates and up-and-coming artists you should invest in now. This year they’ve found 37 trailblazing emerging artists—many of whom have recently graduated from BFA and MFA programs—who are making some of the most compelling and collectible art today.
Some are tackling contemporary social issues in their work, others are experimenting with digital technology, many are redefining traditional art styles, and all are creating powerful work that will beautify your home and has a strong potential to increase in value.
Discover them, support them, and collect their work today.
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THIS YEAR’S SELECTION COMMITTEE

Meet Our Curators
Our curators draw on years of rich experience in the art world to identify recent graduates from the best schools around the world who are on the rise and garnering international acclaim.
Chief Curator & VP Art Advisory, Saatchi Art
Rebecca Wilson was formerly a Director at the Saatchi Gallery, London, where she was instrumental in the launch of the gallery’s online presence. In 2007 she created New Sensations, a prize for art students which identifies and supports the most exciting emerging artists in the UK. Prior to joining the Saatchi Gallery, Rebecca worked for 14 years in book and art magazine publishing: she was editor of ArtReview, and before that deputy editor of Modern Painters.
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Artist Community & Curation Manager
Aurora Garrison has a B.A. in Art History and International Affairs from Lewis & Clark College in Portland, Oregon and an M.A. in World Heritage Studies from the University of Turin in Italy. Prior to joining Saatchi Art in 2018, Aurora worked at auction houses, museums, and galleries, including Christie’s in San Francisco, the J. Paul Getty Museum, Auctionata Paddle8, and Revolver Gallery in Los Angeles. With a focus in world heritage preservation and conservation, Aurora has presented research on protecting cultural heritage in times of conflict at academic conferences in the US and Italy.
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Manager of Art Advisory and Curation
Erin Remington has a Masters in Modern Art History, Theory and Criticism, and a B.S. in Business Administration from Azusa Pacific University. She studied Art and Art History at the American University of Paris and has over a decade of experience in fine arts. Erin is motivated by exceptional art and working with collectors to select pieces that inspire and elevate their spaces. She believes that art has the ability to inform, inspire, educate, and change how we view the world around us.
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Introducing

The Activists

Artists often explore the social and political issues of their time. Discover new works that have caught the eyes of our curators for the inspiring ways that they demonstrate resilience, courage, and strength.

Nitashia Johnson
The Earth In You, $1,970
Black Arch, Pain, Black Sole – (Triptych), $1,970

Nigerian American multimedia artist Nitashia Johnson endeavors to “create something magical with traditional art supplies.” The artist has worked professionally as a graphic designer and photographer, often documenting current social issues surrounding the environment and education. She believes that her creative background bolsters her career as a full-time artist and her ability to experiment with traditional mediums and genres to illustrate contemporary messages and stories. 

Nitashia has attended Texas Woman’s University, the Rhode Island School of Design (RISD), and the University of Texas at Dallas.

— For the past year, Nitashia has worked on her non-profit, The Smart Project, a creative after-school program structured for teens and aspiring mentors living in North Texas. 

— Her photography has been featured in notable publications such as D Magazine and The New York Times

— In 2019, she became one of the first women selected for the Sony Alpha Female Creator-in-Residence program.

 

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Introducing

The Rule Breakers

Bold art for the adventurous collector. Whether you want art that is subversive or stunning, find it in this collection featuring Rising Stars artists who venture beyond the norm.

Yuezhu Chen
Listen, $1,360
Walking in the Mountains, $1,640

Focusing on themes of psychology, gender, and sexuality, Yuezhu Chen creates semi-abstract paintings using bold color palettes and striking compositions. Building on her study of symmetry and the subconscious versus unconsciousness, Yuezhu embraces the relationship between her figure and their environments to challenge traditional notions of oil painting.

Based in London, Yuezhu holds an MA in fine art with distinction from Central Saint Martins at the University of Art London and a BA in film from the Central Academy of Fine Arts in Beijing, China. 

— She was shortlisted for the Cass Art Prize from the Slade School of Art in 2021. 

— Yuezhu has exhibited her work in London, Shanghai, and Beijing, with her most recent solo exhibition at The Koppel Project Hive in London.

 

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Gemma Thompson
Over the River, $465
A Sounding, Meshes With Another and Another, $1,530

Gemma Thompson uses drawing and printmaking to capture the intangible feeling of place by transforming the essence of sound and rhythm onto paper. Gemma creates unique soundscapes through translated marks and contours that take the viewer on a poetic journey.

Gemma received her BFA in studio practice and contemporary critical studies from Goldsmith, University of London, and her MFA in printmaking from Camberwell College of Art in London. 

— She has shown her work in several galleries across London, including the Espacio Gallery, Saatchi Gallery, Royal Drawing School Gallery, Copeland Gallery, South London Gallery, the Royal Arsenal, Christie’s London, SPACE Studio, and Gallery Maison Bertaux.

— Outside of London, Gemma participated in an exhibition at The Grey Space in the Middle Gallery in The Hague, Netherlands.

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Introducing

The Trendsetters

The possibilities that technology presents to artists are infinite. Explore a collection of work in which artists adopt new media to reimagine the ways we experience works of art. 

Bethanya Abebe
Nice to Meet You, $545
Train, $5,350

Bethanya Abebe borrows her vibrant color palette from the sights of her childhood surroundings in Ethiopia. Depicting highly-detailed scenes from everyday life, Bethanya uses forms and hues as metaphors for her life and emotions. From gestural shapes, Bethanya works her canvas until the abstracted forms give way to figuration—often incorporating tactile fabrics and embroidery for additional depth. 

Bethanya received her BFA from the University of North Texas and recently graduated from the prestigious MFA painting program at the Pratt Institute in New York.

— In 2021 Bethanya was awarded a New York Foundation of the Arts artist grant. 

— Her works were included in a group exhibition at the Anna Zorina Gallery in Chelsea, New York.

 

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Introducing

The New Traditionalists

Rising Stars artists put an innovative spin on the masterful techniques of history. Discover a fresh new take on iconic styles and techniques in this collection from our curators.

Olga Pypno
Diptych, $1,140
Forest, $1,740

Olga Pypno works primarily in painting and film photography to create landscapes that feel ethereal and nostalgic through dark tones and brushstrokes. She aims to identify the sublime within the world around us and consider how modernity affects the traditional perceptions of the sublime.

She earned a BFA with honors from the Glasgow School of Art in Scotland with a focus in painting and printmaking.

— Her work has been featured in a number of group exhibitions around Scotland, including the National Galleries of Scotland. 

— Olga is a multidisciplinary artist, sometimes starting with an oil painting and adding photography elements through digitally layering.

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Ryan McKee
Playground in Summertime, $6,900
Cemetery in the Winter, $4,060

Ryan McKee’s paintings read like the nonsensical narratives of a dream, designed to take you somewhere familiar but altogether otherworldly. His realistic style is defined by surreal elements that serve as reminders of the tragedy and humor of the human condition. 

Ryan is a self-taught oil painter from Salt Lake City, Utah. He currently lives and works in Dallas, Texas.

His work was selected to be exhibited at The Other Art Fair, Dallas, in 2022. 

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Introducing

The Builders

Rising Stars artists put an innovative spin on the masterful techniques of history. Discover a fresh new take on iconic styles and techniques in this collection from our curators.

Llinos Owen
The Daisy, $2,240
Midnight’s Embrace, $5,350

Llinos Owen is a textile artist whose practice begins with written and visual material from her diary. Her tapestries are narrative explorations of memory, relationships, gender, and identity that live within a larger art historical canon through the annals of her respective medium—punch needle rug hooking, an art form dominated by women. 

Llinos is from North Wales and moved to London in 2017 to study painting at Wimbledon College of Arts, where she graduated in 2020.

Her works have been featured in group exhibitions across the UK, with her first solo show, “Thank Your Lucky Stars,” at Orleans House Gallery in 2021. 

—Numerous publications have written about Llinos’s tapestries, including the BBC.

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12 Years of Emerging Art

12 Years of the Best Emerging Art

Saatchi Art Celebrates ITS ANNIVERSARY

Since 2010, Saatchi Art has been the best place to discover and buy art by top emerging artists from around the world. In the last 12 years, we have transformed the lives of over 100,000 artists in more than 140 countries by selling their works to art lovers around the world. 

We hope you will continue to join us in transforming the lives of thousands of talented artists around the world.

Best of Saatchi Art: Collector Favorites

Into The Rizosphere
Jonas Fisch
$5,250

Since our founding, some artists have stood out to Saatchi Art collectors for their distinctive style and technique. Meet some of our best-selling painters, photographers, sculptors, and more.

Power Flowers
Hennie van de Lande
$2,920

Dreamsicle by Angela Gebhardt
Kris Gebhardt
$22,250

California Sun
Trevisan Carlo
$4,000

In 2022, 18,700 artworks sold and shipped to 80 countries.

Nature Energy XXXL 1
Peter Nottrott
$8,710

Best of 2022

Mirror Reflections #129
Dana and Stephane Maitec
$5,450

A year of arresting visuals and creative innovation, 2022 has seen no shortage of impressive art. From boundary-pushing painting to experimental new media, discover this year’s most sought-after artists and exciting new presentations of art.

Artworks Sold
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TO COLLECTORS IN OVER 140 COUNTRIES

Best of
Rising Stars

This is a Call 2
Rocio Navarro
$2,410

Every year, our curators publish a list of recent art school graduates shaping the future of contemporary art. Explore the Rising Stars who have shone brightest over the years.

Contemplation Shelter
Melissa Loop
$2,070

Assisted 200 recent art school graduates start their art career.

Disco Bay, Ilulissat, Greenland
Zaria Forman
$1,400

Collectors
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DISCOVERED ART THEY LOVE

Best of
The Other Art Fair

Gibb’s Bay Breeze
Alec Cumming
$2,740

Held across eight international cities, The Other Art Fair provides a unique chance to bring together local talent, working in vast and varied mediums, with a community of art lovers. Thousands of up-and-coming artists have participated over the years—explore our curators’ favorites from years past.

Nobel Marie In Zinc
Chloe McCarrick
$860

Since 2017, over 6,000 independent artists have exhibited throughout 55 international fairs.

Evening Commute
Tarli Bird
$680

PAID EMERGING ARTISTS AROUND THE WORLD

$ 0

Vincent 2486
Lee Ellis
$890

2,500 non-generative art avatars hand-created by over 150 artists from 35+ countries.

Vincent Lapin No. 1 (Vincent #1357)
Mr Clement
$860

Best of
The Other Avatars

Van Gogh with Sunflower
Mandy Racine
$3,420

The Other Avatars, Saatchi Art’s genesis NFT collection, pushed the bounds of artistic expression by blending digital art with tried-and-true techniques and mediums. Discover the physical artworks made during the NFT creation process that demonstrate an impressive twist on classic artforms.

Artists
0

FROM OVER 160 COUNTRIES HAVE SOLD THROUGH SAATCHI ART

Best of Hospitality Art Advisory

The Infinite Wave
Kenny Nguyen
$9,600

Working alongside some of the best interior design and architecture firms, our Hospitality Art Advisory team brings emerging art to world-renowned hotels, restaurants, and commercial spaces. Browse this collection of paintings, sculptures, collages, and more by contemporary artists featured in our curators’ favorite projects from this past year.

MDF33
Vova Pydlyak
$1,195

700 and counting international hospitality and commercial projects completed since 2017.

Untitled
David McGlothlin
$880

ICONIC ART STYLES

Heroes
Gina Cochran
$790

Contemporary Abstracts

Artists often use nonrepresentational mark-making and gestural strokes to speak to the intangible. The freedom and ability to manifest new meaning to each viewer makes abstracts some of the most highly coveted works on Saatchi Art. Explore curator-approved abstractions.

Autumn – Cache Creek
Douglas Nicolle
$1,730

Whimsical Landscapes

Whether Impressionist or abstract, landscapes express the beauty of the world around us and provide a welcome escape for the viewer. Browse fun and playful landscape paintings, photographs, and mixed-media works that will breathe new life into any space.

Portrait in Blue
William Arvin
$1,650

Timeless Portrait Paintings

The genre of portraiture is one of time-honored tradition. Used as a tool of self-exploration, to depict beauty, or to define social status, there are countless ways artists have explored the medium through the ages. Explore this specially curated collection of enduring portrait artworks.

Morning Light
Brendan Louw
$895

Nude Photography

Nude photography became a go-to genre as soon as the medium took hold, in line with a centuries-old fascination with the naked human form. Whether rule-breaking or classical, nudity in art celebrates aesthetics and vulnerability. Browse fine art prints of this timeless genre.

Living with Art: Rico Brooks

LIVING WITH ART
Saatchi Art Collectors Take us Inside their Homes

Meet Rico Brooks

A Music Talent Manager Who
Uses Art as a Creative Outlet

Rico Brooks oversees the music careers of some of the most notable names in the industry, but that doesn’t mean art doesn’t provide a valuable creative outlet for him. “When I’m on the road, I’ll try to sneak into an artist’s studio or stay a day later to go visit art museums,” he explains. Since college, the talent manager has found beauty and meaning in art—whether enjoying the exhibitions on view at his local High Museum of Art in Atlanta or searching out works by some of his favorite artists while traveling (Kerry James Marshall and Jacob Lawrence are on the list.)
“Art was once something that only the rich and wealthy could buy. Saatchi has broadened the base.”
While museums have long been a source of pleasure for Rico, it took longer for him to understand that owning art was something available to him. Discovering Saatchi Art transformed him, as he explained it, “Sometimes we just don’t know what we don’t know—we don’t have access.” Collecting work from Saatchi Art has enabled him to not only collect original art, but buy from an international roster of artists. “They have helped globalize the art buying process. Art was once something that only the rich and wealthy could buy. Saatchi has broadened the base. I have discovered artists that I probably would have never heard of based on their geographic location.”
“I buy what I like and what speaks to me.”
When it comes to adding art to his collection, Rico is confident in his taste and vision. “I buy what I like and what speaks to me,” he explains. “I’m not going to buy it if it doesn’t evoke emotion …I have to have a connection to it.” While his love for an artwork is often impulsive, he also likes to consider where it will go in his home before he makes a purchase. “When I buy a piece, I already have a vision, I’m a very visual person. So I’m thinking about where it’s going to be even with just the whole design of my house.” Yet he is always careful to not miss out on an opportunity to own a work he loves—after all, originals mean one-of-a-kind. “I learned with art—it’s similar to music. When creators have something that you like, you have to kind of seize the moment because you may go back and it may be gone.”
“I can look at a piece everyday and discover something new.”
Beyond adding to the visual narrative of his home, Rico loves how artwork itself tells a story. For that reason, the Street Art genre is particularly compelling to him, presenting a unification of aesthetic and narrative. “I love the discovery aspect of Saatchi Art,” which has led him to appreciate artists as varied as Eddie Love and Mister Artsy Graffiti Street Art Amsterdam. One thing that unites them all, though, is how an artwork never stops changing and evolving. “I can look at a piece everyday and discover something new,” he explains.
“Buy what gravitates towards you.”
His best advice for new collectors starting out: “Buy what gravitates towards you.” At first he started with art that felt connected to people that influenced him—from Jay Z to Malcolm X—and then started expanding his palette more. “Start with what you like, start with what you know. Ask yourself what appeals to you? Do you like flowers? Do you like architecture? Is it animals?” Or he jokes, if you’re still feeling uncertain, “Get a cool friend that you know has good taste.” One imagines Rico is that friend to many people around him.

Art Inspired by Rico’s Collection

Like what you see? Our expert curators suggest works inspired by the art displayed in Rico’s home.

Living with Art: Sarah Chitsaz

LIVING WITH ART
Saatchi Art Collectors Take us Inside their Homes

Meet Sarah Chitsaz

A Real Estate Developer Who Uses Art to Express her Personality
For Saatchi Art collector Sarah Chitsaz, art is about more than just filling her home’s walls—it’s the primary outlet for her self-expression. Residing in Denver and working in real estate development, Sarah sees buying art as “a way to express my personality outwardly.” She came to art collecting relatively young while living in Charleston, South Carolina after college and exploring small local galleries in her free time. But when she discovered Saatchi Art serendipitously while browsing the internet several years ago, it was “love at first sight.” While she was immersed in the local art scene of Charleston, Saatchi Art enabled her to expand her horizons and discover artists from all around the world.

Now with so much art at her fingertips, Sarah has honed in on what makes an artwork compelling to her. “It’s that striking moment of, ‘This really resonates in my soul,’” she explains. “A work might remind me of something that made me feel safe or happy, or it can remind me of places I’ve been or experiences I’ve had. Some of it’s just whimsical.” All in all, these diverse inspirations have resulted in a wide-ranging collection. “My art is eclectic, but it also has an edge, which contrasts with my preferred furniture style which has really clean and modern lines.”

“It’s that striking moment of, ‘This really resonates in my soul.’”
Sarah’s art collection compliments her furniture and space, but she doesn’t feel constrained by them—rather she buys artwork she loves and sometimes figures out what to do with it afterwards. “If I can’t stop thinking about an artwork, then I need to have it, and I don’t care if I have room for it,” she says with a laugh. And this has happened once or twice. “I did not pay attention to the dimensions, and it was five times larger than what I imagined,” she explains in reference to a favorite oversized work by photographer Javiera Estrada titled Put on a Happy Face. “It’s huge, but I love it. You cannot look at that and not smile.”
“My friend said, ‘When I walk into your house, I immediately know that you live here based on the way that you’ve decorated your home and the art on the walls.’ And I loved that.”
Having a beautiful, welcoming home full of art is important to Sarah—but more than that, she wants it to feel like her home. “I will never forget the day, I had a bunch of people over, and someone pulled me aside, and she gave me the best compliment I’ve ever received,” she explained. “My friend said, ‘When I walk into your house, I immediately know that you live here based on the way that you’ve decorated your home and the art on the walls.’ And I loved that.”
“If I can support somebody in a different country from my sofa, that feels amazing.”

For her, Saatchi Art’s sheer breadth of artwork and diversity of artists is what draws her to the online gallery. Sarah likened it to searching through an antique shop or browsing for a hidden treasure. “I like to find things that I think are unique and not everybody else has,” she explains. “At first it’s a little overwhelming just because the catalog of art is so comprehensive,” she explains. “You need to be patient… I use Saatchi Art to look at different types of work that are new to me, things that I have never seen before.”

She also loves that the artists are so global. “If I can support somebody in a different country from my sofa, that feels amazing. Plus, it’s seamless. Once you purchase a work, the communication process and delivery is superb.” Her collection ranges from Los Angeles-based artists to one living in Ghana.

Working with an art advisor has also challenged her to buy art she never would have considered previously. Taking advantage of the complimentary art advisory program, Sarah partnered with one of Saatchi Art’s curators to help her find new artwork—and some of it was unexpected, in a good way. “To me, art is like fashion. If you put me in a store, I’m going to try on the things that I’m comfortable with, but I wanted to get out of my box and I didn’t have a ton of time to look at things.” Working with her personal advisor, Sarah ended up purchasing several works she’d have never picked on her own. What surprised her even more, was her love of them grew as she spent more time learning about the artists and the stories behind their works. She likens these stories to “little secrets” that she carries around and thinks about every time she looks at the artwork—seeing it anew each time.
“Find something that really resonates with you.”
Her advice for art lovers interested in buying their first original artwork? Don’t settle on just filling your walls, but find something you really love. “Set a budget and have fun! It shouldn’t be a chore—you’re operating on your own timeline. Find something that really resonates with you.” And when you’re still unsure of what you like, her best advice is to decide on what emotion you want the work to inspire and go from there. “When I am looking for a new artwork, I identify the emotion, and then I look to see what image gives me that emotion.” A true testament to the power of art.

Art Inspired by Sarah’s Collection

Like what you see? Our expert curators suggest works inspired by the art displayed in Sarah’s home.

Art For Every Room

Every Room, Every Style

Art Inspiration for Every Space in Your Home

Catapult Katarina by Kirsty Black

Art For Every Room

Every room in your home has a distinct purpose and style. Whether you’re searching for an artwork to be the focal point of your living room, or looking for the perfect finishing touch for your favorite reading nook, our curators have put together fresh collections suited to every space.

Foyer

Make a grand entrance. Browse a new collection of large-scale eye-catching original artworks that will wow your guests and immediately set the mood of your home.

Water Dance by Julia Pinkham
Locked In by Brad Nuorala
Cascadia No. 4 by Melisa Taylor
Sunset on the Sahara by Viet Ha Tran
The Dreamer’s Awakening by Nicole Melnicky
Landscape In Summer by Radu Focsa
Between The Emerald Mountains by Hanji Park
The Soft Scent Of June by Jeanette Lafontine
Cold Kitchen Hill No. 3 by David O’Connor
Dining Room
Consider adding an artwork to your dining space that will serve as a visual complement to mealtime. These works are sure to add a dynamic presence when entertaining.
Chrysalis No. 581 by Kat Tesla
Bedroom
Your bedroom is your sanctuary. The perfect artwork will create a calming mood in the evening while helping you to welcome the new day each morning.
Seaweed Laurel/Surf Rolls by Jeffrey Fitzgerald
Lines in Shapes, 2023 by Silvija Kicivoj
Playful Objects No. 4 by Rebekah Andrade
Abstract Nude No. 28 – Red Sun by Aurelie Tbd
Origines by Anton Paul Patrick Stürtzer
Current by M. Clark
Chromatic Ascension by Kevin H. Komadina
Into The Rising Light by Paul Brouns
Undomesticated Interior No. 11 by Lisa Krannichfeld
Office
Whether you’re looking to inspire motivation or intense focus, these are the artworks our curators say are the perfect additions to your work from home set-up.
Three Kinds of Yes by Darla McKenna
Small Spaces
Your bedroom is your sanctuary. The perfect artwork will create a calming mood in the evening while helping you to welcome the new day each morning.
Doppelgänger by Nancy Goodman Lawrence
Apokalypsis 2023 No. 23 by Luca Brandi

Bent by Rebecca Yunjeong Lee

Poppies In October (Ode To Sylvia In White) by Chloe Mccarrick
Kitty Thoughts by Soo Beng Lim

Outdoors

Create moments of beauty and repose in your outdoor space with a one-of-a-kind sculpture by a top emerging artist.

Yellow Clover No. 2221 by Luis Kaiulani
Memory by Jennifer Asher
Ostara by Ian Turnock
BABOU by Artist-Painter Tone

Why Saatchi Art?

Discover an unparalleled selection of original and limited edition art handpicked by our curators

Enjoy hassle-free delivery, world-class customer service, and 14-day satisfaction guarantee

Support emerging artists from around the world

Saatchi Art Supports Our Ukrainian Artists

Support Our Artists in Ukraine

Art to Support the Relief Effort

Artist: Anastasia Balabina

Saatchi Art stands with our artist community in Ukraine. For much of 2022, the suspension of shipping and delivery services across Ukraine made it impossible for Saatchi Art to provide delivery of artworks originating there. To continue supporting our Ukraine-based artists, we leveraged our gallery to offer an impactful means for both our artists and collectors to help those in need.

SHOP THE PRINT COLLECTION

Shop hundreds of prints by our Ukrainian artists.
In 2022 Saatchi Art donated 100% of profits from the sales directly to the artists.

Celebrating Our Ukrainian Artists

Vitalii Kotiash



I love making complex geometric designs that change viewers’ perceptions of lines and shapes.

Dimitri Bogachuk



I aim to capture an auroral stillness in my images that can be almost felt and heard.

Anastasia Balabina



I like to use symbols in my paintings to convey a meaning that is both beautiful and mysterious.

Ksenia Logvinenko


“Through depictions of nature and people, I hope to represent the beauty and hidden magic in the world around us.”

Petro Hrytsiuk


“I use unique combinations of form, color, line, and texture to posit new ideas and evoke emotions in a poetic, nonlinear fashion.”

Vasyl Kolodiy


“My works are an interpretation of the power, harmony, and energy of nature. I draw through the prism of meditation.”

Yaryna Movchan



“My circular works are reflections of contemporary life that draw on personal experiences, dreams, mythological narratives, and world religions.” 

Wind Blue 0912
Jessy Choz
$1,600

Seeing Time 365
Michelle Louis
$880

Iya #1
Luciano Cian
$960

The Room No:65
Erna Ucar
$1,300

The Power of Memory
Fares Micue
$770

Back Glance
Theophilus Tetteh
$1,910

Woman with the Leaves
Agata Wierzbicka
$735

A Coherence
Alyson Khan
$1,200

2022 Artist Report

2022 REPORT

Making a Living as An Artist

A word from Monty Preston, Curator of The Other Avatars and Manager of Art Advisory and Curation at Saatchi Art

“As the daughter of an artist, I not only developed a passion for the arts from a young age, but also a unique understanding of how artists create their work, and how they manage  their careers — both of which aren’t as straightforward as they sound. 

In my role as a curator at Saatchi Art, I now get to work with emerging artists around the world, helping them to find the right path for their career, build their brand, get their work in front of an audience, and share their story with collectors looking for art to fall in love with. 

For many, the “business” aspect of being an artist is mysterious and overwhelming.  Those of us working directly with artists every day have insight into the earnings  landscape, but many artists may be unaware of where they stand: Should I be making more money? Can I make more? What channels have other artists found success in? Are others moving into the digital arts and NFT realm, and is this the right path for me?  

All these questions come down to: Can I make a sustainable living as an artist? 

We wanted to find out more about the tools artists are successfully using to make a  living, as well as the blockers artists experience, and the areas where we can provide additional support and guidance. We surveyed artists working today to gather some data about their experience and their income, as well as their outlook on the role NFTs can  play in furthering their career. As we did, we found that artists may not be making as much as they could, but that tech innovations may offer valuable opportunities for them to do so moving forward. 

We hope these insights will be helpful, and that they can be used to inform you on your own career growth journey.”  

HERE ARE A FEW OF THE INSIGHTS WE GAINED FROM THE ARTISTS WE SURVEYED:

Johanna Wilbraham-01
Colin McCallum-01

Only half are financially stable from their art earnings.

49% are able to earn a steady, stable income through their art, while 51% are not. Additionally, 35% say they are earning less than ever because of the pandemic’s impact. 

The majority of artists spend 31 to 40 hours a week creating art.

Additionally, the majority are spending 21 to 30 per week promoting their art — while also holding down part-time and full-time employment in non-art jobs.

Half have worked with a brick-and-mortar gallery before.

However, only 35% of artists found the physical gallery experience positive.

Half have also worked with an online gallery or marketplace in the past.

However, only 37% of artists found the online gallery experience positive — just slightly higher than the experience with a physical gallery.

The biggest challenge artists currently face is generating consistent and stable income.

Other challenges include finding time to create art while balancing other jobs and responsibilities, and learning how to build their brand.

One-third have considered creating an NFT.

Of those who said they consider it, 39% have indeed created an NFT. They said the biggest appeal to creating an NFT was the opportunity for royalties, getting exposure to new audiences, and seeing NFTs as giving greater credibility to existing digital artists.

A better understanding of the technology could increase NFT adoption.

Those who hadn’t considered creating an NFT, or were reluctant to do so, said that access to educational resources, advice on pricing, and finding a partner to promote their NFT would help them consider creating one.

Joanna Pilarczyk-01
Kristjana S Williams-01

Methodology and Participant Demographics

In order to provide greater context around these findings, here are more details on who we surveyed and the methodology used. 

Starting on December 21, 2021 we surveyed 500 Americans who identify as artists, and who also generate income from their art. The survey was conducted online via Pollfish using organic sampling. Learn more about the Pollfish methodology here.

Artists always have to balance the desire to create the art they want, while also making art that collectors wish to buy. Before we go further into how artists are earning revenue from their art, here’s more about our respondents for this survey.

13% earn their living as a full-time artist, while others work “day jobs”

While everyone we surveyed generates some kind of income from their art, only 13.2% are full-time artists. The majority of our respondents (16.6%) are actually employed full-time in non-art day jobs, fitting their creative pursuits around their professional demands. 

The majority are working in digital art 

Of those artists we surveyed, the majority (23.6%) are working in digital art, followed by mixed media (20.6%). 19% produce paintings, 18.8% sculptures, and 18% drawings. 

The top style is abstract

The top styles our respondents work in include abstract (15%), street art (13.8%), and minimalist (13%). Those who replied “other” account for 12.2% of respondents, followed by conceptual at 12%.

The majority are self-taught artists 

The majority of our respondents are self-taught artists (20.8%), followed by those who  trained through art classes alone (19%). 17.8% used online courses to learn their craft, and 16.2% went the academic degree route. 11.4% trained through one-on-one  mentoring, coaching, or with a private teacher. 14.8% found another path to becoming an artist. 

SUMMARY

Now that we know a bit more about our respondents —  artists who work across a variety of mediums, mostly self-taught or who have taken classes to learn their practice, and who supplement their art income with a full-time job —  let’s examine how they’re putting their art out into the world, how they’re generating income from it, and which new opportunities they’re most excited about.

2022 REPORT

Making a Living as An Artist

PART 1

Artist Earnings and Income Streams

While some artists create art for art’s sake, many desire an audience for their work, and want that audience to both appreciate and pay for it. Just how much artists are earning from their work, and how they are doing so, were questions we posed to the group.

Only half have become more financially stable as a result of their art earnings 

We discovered that about half (49%) find that income generated from their artwork  makes them more financially stable. The other half (51%) are not finding more financial stability from sales of their artworks.

45% earned more than $80,000 last year from their art  

Our respondents are evenly spread out across income amounts generated from sales of their art. However, the majority (16.6%) made $120,000 or more in the last year from their art. The next largest segment (15.6%) made between $40,001 and $60,000 from  their art, and the third largest segment (15.4%) made between $100,001 and $120,000. 

Overall, 44.6% of artists surveyed earned $80,000 or more from their work in the past year.

35% are earning less than ever because of the impact  of covid 

When it comes to the effects of the pandemic, 34.8% say they’re earning less than  ever, possibly due to in-person events and galleries shutting down. 31% say they’re earning more than ever, perhaps due to finding new online and virtual audiences, and 34.2% say COVID has had no impact on their art income.

The majority are selling their works for between $501 and $1,000 each 

While our respondents are selling pieces for a variety of prices, the majority (15.8%) are selling works for between $501 and $1,000 each. 

However, our respondents are evenly split on selling works for between $2,501 and  $5,000 (14.8%), $251 and $500 (14.6%), $1,001 and $2,500 (14.2%), or $5,001 and  $10,000 (14.2%). 13.6% are selling their work between $1 and $250, and 12.8% are selling works for $10,001 or more.  

Overall, 56% are selling their works for over $1,000 per work. 

Top Channels Generating Income 

Artists can and should be using a multitude of channels to promote their work,  increase their exposure, and connect with those interested in purchasing their art.  When it comes to channels generating the most income, our respondents are  finding the most return in the following: 

SUMMARY

The respondents to this survey are all making money through the sale of their artwork. But many of them are not generating a livable self-sufficient income.

45% reported that they earned more than $80,000 last year from their art — which means that 55% earned less than that. Similarly, 49% report that they’re more financially stable from the earnings their art generates, leaving 51% who are not earning a stable income from their art.

However, 31% replied that they’re earning more money than ever from their art, despite the pandemic, and 56% are selling works for over $1,000 each — some over $10,000. They’re also finding steady income generation through online marketplaces or galleries, private commissions, art  fairs, and brick-and-mortar galleries.

What does this tell us? It’s possible to earn stable income through art sales, as we’ve seen from many of our respondents. However, for those not earning a stable income, opportunities to do so through more savvy pricing and utilizing more diverse channels could give a boost to income generation.

PART 2

Time Spent Creating and Promoting Art

As we saw in the previous section, the majority of our respondents are employed  in full-time jobs outside of their artmaking. So when does that leave time for them to actually create their art, not to mention promote it, and run the business side of an artist’s career?

Artists are spending between 31 and 40 hours a week creating art 

The majority of our respondents (22.2%) are spending between 31 and 40 hours a  week creating art. Of those spending 31 hours or more per week on creating art, nearly half (48.8%) are doing so while working full-time or part-time in another professional capacity 

Looking at the remainder of our respondents, 19.2% are spending over 40 hours a  week creating art. Other time commitments to art creation include 21.2% spending  one to 10 hours, 17.2% spending 11 to 20 hours, and 20.2% spending 21 to 30 hours. 

Artists are also spending between 21 and 30 per week promoting their work 

When it comes to promoting their work, the majority (21.6%) are spending between 21 and 30 hours per week (the equivalent of a part-time job) promoting their work to collectors. 21.4% are spending less than 10 hours per week. 

Of those who spend between 21 and 30 hours per week promoting their artwork, most of them go on to spend an additional 21 to 30 hours just creating.  

Those artists that spend 31 hours or more per week creating their art dedicated  upwards of 31 hours in promotion — and actually 19.8% of these artists spend more than 40 hours. That’s a lot of time! 

Biggest Time Commitments For Artists 

As we’ve seen, between creation and promotion, artists are spending a good deal  of time on their art, often in addition to part-time or full-time jobs. We drilled down  to get additional insights on the business demands of being an artist. 

Only half enjoy the business aspects of being an artist 

Artists today are also tasked with being their own marketers, managers, and admins. Yet a little over half of respondents (53%) say they enjoy the business aspects of their art. 47%, however, don’t enjoy it. 

SUMMARY

Artists are spending a lot of time on making their art —  which makes sense. But they’re also spending a significant amount of time promoting their work. We found that the majority of artists are spending between 31 and 40 hours a week creating art, and that they’re also spending an additional 21 to 30 per week marketing it. It’s a massive time commitment on their part, especially considering that many are working other jobs to support themselves. 

When it comes to promoting their work, our respondents said they’re spending the most time on social media and website management — a necessary but time-consuming task. They’re also managing their catalog, speaking with suppliers, and busy with general administration tasks. 

These findings, of course, beg the question: Are there easier and less time-consuming ways for artists to promote their work? How can galleries and other partners help give them back the time they need to create? 

PART 3

Experiences with Galleries and Marketplaces

Art is meant to be seen and appreciated, and artists must showcase their work in some fashion to give art enthusiasts and potential collectors the opportunity to discover them. While social media, websites, and personal online portfolios have given artists more tools to connect with their audience, artists have traditionally gotten their exposure through galleries. We wanted to know more about our respondents’ experiences with working with galleries, both online and physical.

Half of artists have worked with a brick-and-mortar gallery 

A little over half of the artists we surveyed (53%) have worked with a brick-and-mortar gallery before, while 47% have not.

In looking at the data further, we found that 115 respondents (23%) have only worked with a brick-and-mortar gallery, while 150 respondents (30%) have worked with both a brick-and-mortar and an online gallery before. 127 respondents (25.4%) have worked with neither.

Only 35% of artists found the brick-and-mortar gallery experience positive 

For those who have worked with a brick-and-mortar gallery before, only 34.7% found their experience positive. One-third (33.2%) found their experience somewhat positive, and nearly one-third (32.1%) found their experience to be negative. 

Half of artists have worked with an online gallery or marketplace  

Similarly, about half of our respondents (51.6%) have worked with an online gallery  before, while 48.4% had not. 

In looking at the data further, we found that 108 respondents (21.6%) have only worked with an online gallery, while 150 respondents (30%) have worked with both a brick-and-mortar and an online gallery before. 127 respondents (25.4%) have worked with neither 

37% of artists found the online gallery experience positive 

For those who have worked with an online gallery before, only 37.2% found their  experience positive — slightly more than those who have worked with a physical  gallery. 29.1% found their experience somewhat positive, and one-third (33.7%) found their experience to be negative. 

Artists slightly prefer online galleries over brick-and-mortar galleries  

If given the choice, 52.6% say they would prefer to work with an online gallery, only a slight preference over the 47.4% who say they’d prefer to work with a physical gallery.

Top Reasons Artists Prefer A Physical Gallery 

Both physical and online galleries can serve to further an artist’s career in different yet complementary ways. Here are the top reasons why an artist may prefer a physical gallery. 

Top Reasons Artists Prefer An Online Gallery 

Online galleries can offer opportunities that physical galleries can’t, and should be considered alongside physical galleries for promotion of an artist’s work. Here are the top reasons why an artist may prefer an online gallery. 

SUMMARY

Artists should always be looking for ways to maximize their exposure to connect with potential collectors. This means utilizing both online and brick-and-mortar galleries, as they can both serve different purposes to further the reach of an artist’s work. Respondents cited that they want to work with a physical gallery, so they can connect with their audience, and so that people can physically see their art. However, respondents enjoy the tech focus of online galleries, and their emphasis on supporting emerging artists.

However, artists aren’t necessarily thrilled with either experience, with only about a third of them having truly positive experiences at one or the other.

As we saw in the data, both physical and online galleries are top channels for generating income for artists. Yet there is ample room for both types of galleries to improve the artist experience.

PART 4

Challenges and Frustrations

Any artist looking to make a living through their craft will be met with challenges — from logistical ones like how to price their work or find hours in the day to create to internal ones like finding inspiration or wondering if they’re truly delivering on their creative vision. We wanted to learn more about what challenges and frustrations artists are struggling with that may be hindering them from creating their best work.

Top Five Biggest Challenges Facing Artists Today

What are some of the biggest everyday challenges our respondents are facing? 

Top Five Frustrations Of Artists Today 

Similarly, artists are struggling with other frustrations that may be hindering them from making their best work.  

SUMMARY

The biggest challenge to artists today is not just generating income, but having that income be consistent and stable. The volatility in income generated by one’s art practice may be the result of many things — pricing issues, not finding the right audience, hesitancy around partnering with a gallery, or simply not having enough hours left in the week to self-promote. 

Many of the artists we polled are frustrated by having to devote time to self-promotion, which to them is time that could be better spent making art. As we saw previously, much of this time is spent on two primary tasks: social media and website management. 

However, the biggest frustration — and probably the most common amongst artists — is feeling insecure about their work. Nearly all artists struggle with feeling vulnerable, as art creation takes an inordinate amount of creativity, emotion, inspiration, and soul — and, at the end of the day, many artists wonder if they are good enough to succeed. But there’s always an audience out there somewhere for every artist’s work — it’s just a matter of finding them. There are many ways to do so, especially if artists are willing to stay open to new opportunities and directions. Even niche interests can generate a substantial following online, so if you haven’t met your audience in real life yet, they may be waiting in the virtual space. 

2022 REPORT

Making a Living as An Artist

PART 5

Digital Art and NFTs

The art world is always evolving as artists seek new themes, new mediums, and new means of expression for their creativity. Today, technological advances are providing new digital tools with which to create, and new channels through which to promote art, connect with collectors, and even get paid. Art NFTs in particular are creating new opportunities for art ownership, income generation, and reaching new audiences. But how do artists feel about these developments?

The majority are excited about the potential of digital art 

When asked how they feel about digital art, there was a range of responses. The majority of our artists (36.8%), however, replied that they’re very interested in the idea; they think it’s a true art form, and say they’re very excited about the potential. 

31.8% replied that they’re somewhat interested in digital art and believe it has potential, but that they’re still undecided on how to feel about it. 

31.4% said that they’re not interested in the idea at all; they feel it’s not a real art form for serious artists and is just a fad.

One-third of respondents have considered creating an NFT 

Have our respondents considered creating an art NFT? 32.2% said yes, they have, while 32.4% said they have not. 35.4% replied that they don’t even know what an NFT is. 

Three Most Appealing Aspects About Art NFTs 

For those who have considered creating NFTs, what was it about the process, the execution, or the results that they found most compelling? 

39% have actually created an nft — and 24% want to, but don’t know how to get started 

For those who have considered or made an NFT, we wanted to know how far into the process they got. As it turns out, 38.5% have actually created an NFT. 19.9% say that  they’re taking an NFT course to learn more about the technology and creation process, and 18% have read some articles online, but that’s all so far. 

Nearly a quarter (23.6%) replied that they’re interested in creating one, but don’t know how to get started, signaling a lack of education, resources, and curators in the space. 

The majority created a digital-only NFT 

For those who created an NFT, the majority (38.5%) created a digital-only NFT. However, 32.9% created a physical version and digital version that were sold separately, and 28.6% created a physical version and digital version that were sold as a bundle. 

Only 54% were able to sell their art NFT 

For those who created an NFT, only half (54%) were able to sell it. This could be due to some of the challenges explored below, like difficulty in pricing, identifying the right platform to use, or promoting their NFT to buyers. 

Three Biggest Challenges When Creating Art NFTs 

Because creating and selling art NFTs require a set of considerations that are  different from traditional art, we wanted to hear from respondents who have been  through the process about some of the challenges they faced. 

Top Five Best Practices For Artists Creating NFTs 

We saw the challenges that our artists faced when creating NFTs. Now that they’ve  been through the process, what best practices would they share with others? 

Top Five Barriers To Creating NFTs 

Many of our respondents hadn’t yet created NFTs, didn’t know what they are, or were generally hesitant about digital art, so we wanted to learn why. Here’s what we found: 

Five Changes That Would Increase Adoption 

What would it take for those reluctant to create an NFT to pursue it? Here’s  what artists say needs to change in the industry to increase adoption. 

54% believe that the digital art market will become larger than the traditional art market 

In five years’ time, a little over half (54.2%) of our respondents believe that the digital art market will surpass the traditional art market. However, 45.8% believe the traditional art market will continue to be first. 

SUMMARY

Digital innovation, online galleries, and NFT minting are opening up avenues for artists to find new audiences and to increase income. We found that the majority of artists are excited about the potential of digital art, and in fact, over half believe that the digital art market will become larger than the traditional art market. 

We discovered, too, that one-third of respondents have considered creating an NFT, and 39% of those artists actually went on to create one. The most appealing aspects for them to create an NFT were the ability to generate royalties, getting exposure to new audiences, and seeing NFTs as giving greater credibility to existing digital artists — all which can help augment their income. 

Despite the enthusiasm of some, 35.4% replied that they don’t know what an NFT is, and 24% of those who have considered creating an NFT just don’t know how to get started. They’re also reluctant to enter the space because they don’t understand how to find buyers for their NFT, they have environmental concerns around crypto, and they feel that NFTs are a passing trend. 

NFTs are providing unique and new opportunities for artists, yet as we’re seeing here, the industry needs to continue to educate artists on the benefits of creating NFTs, share best practices, help get artists acclimated to the crypto world, and show the advantages and practical gains NFTs have already brought to artists and their careers. 

PART 6

Artist Income Outlook

Finally, with all the aforementioned opportunities and challenges, we wanted to know how hopeful artists are when it comes to income generation in the future.

52% expect to make more from their art income in 2022  than 2021  

About half of our respondents (51.8%) are confident that they’ll be able to generate  more income from their art in 2022 than they did in 2021. However, 48.2% don’t believe they will. 

65% believe it’s possible to, or already are, earning 100% of their income from their art 

When asked if they believe it’s possible to quit their non-art employment and generate 100% of their income from their art, 34.6% said that yes, they do believe it’s possible. Additionally, another 35% said that they already create 100% of their income from art. Only 30.4% felt that it wouldn’t ever be possible. 

SUMMARY

The findings here come full circle: some artists have discovered the path to steady and stable income, yet many are still seeking the means to get there. In many cases, this requires finding new audiences, increasing exposure —  especially through online channels — and developing new ways to generate income, for example through minting art NFTs. 

PART 7

From the Artists’ Eyes

We asked artists from all over the world: “What do you wish others knew about artists?”  

Many have conflicting points of view, demonstrating the sheer diversity of experience and opportunities among contemporary artists.  

Here’s what they had to say. 

PART 8

Top Takeaways for Artists

Artists will always have the passion to create. But they need to be able to earn a living from their work, too. 

As we found, there are a fair amount of artists who are  making money from their art, but not enough to make a  sustainable living solely from art sales. They’re working day jobs while also putting in the equivalent of a full-time job  creating and promoting their art — and most of the latter is  being spent on digital marketing. Many have tried working  with galleries, yet their experiences with them have been mixed. And many haven’t yet turned to NFTs as another  source of viable income. 

However, our findings demonstrate that there are ways for  artists to make a better living through their art and discover  and reach new audiences. 

Optimizing time spent on digital marketing by working with online galleries 

As we saw in the above section, artists are spending much of their time outside of  art creation on social media and website management. As an artist today, it’s  essential to know how to efficiently and effectively utilize social media and other  digital marketing approaches to build your audience, brand, and reputation. Working with an online gallery can help, as their curators and marketing professionals can help boost your work through social media, paid advertising, email, and, for more established galleries, through website and search ranking, more advertising spend, and better PR. This can give artists back time to create. 

 

Utilize both physical and online galleries 

Working with physical and online galleries shouldn’t be an either/or, but a both/and,  as brick-and-mortar and online sales complement, not cannibalize, each other.  Artists should consider using both channels to sell their work, giving them more  options and opportunities to grow their reputation, reach a much larger, more global  audience, and increase the ability to make a living from their art. Many online  galleries also have real world components to them, such as art fairs, that can  contribute to an artist’s overall exposure. 

 

Price your work consistently and accurately 

One of the biggest challenges to artists is pricing your artwork accurately — and  pricing it inaccurately could cost sales and needed income. As you look to price your work, consider its medium, size, the collector demand, your reputation, whether the work is unique or editioned, and other unique aspects. Always factor in the time and  labor that went into making your artwork, too. If you’re unsure where to start, or have  had challenges pricing in the past, a curator or art advisor can also help guide you on the best pricing for your works as well. 

 

Find an audience by telling your story 

As you begin to leverage digital marketing and online tools to promote your work  and find your audience, you will need to learn how to write and talk about your work.  Collectors want to connect not only with the artwork, but also with the artist behind  that work. That means sharing your artistic process and inspiration, and learning  how to tell your story authentically. Mastering this will make self-promotion on social  media much easier — whether it be through writing posts, sharing videos, or going  live through IG stories, Twitter Spaces, Discord, and other interactive platforms —  and can help you build confidence in your art to combat feelings of insecurity. 

 

Creating NFTs to diversify income and audience 

Finally, artists can find new audiences and income by being open to new mediums  and means of expression, especially in the realm of digital art. Creating NFTs could  be a valuable way to build your career, even if you’re not a digital artist — many  artists working with a physical medium like sculpture or photography, or something  more intangible like performance art, can also partake. NFTs hold the promise of  new income streams and royalties, and might expose you to audiences you never  thought you’d have. 

SUMMARY

Artists today have more options than ever for income generation—from working with traditional galleries and engaging with audiences and collectors through social media to showcasing their work in online galleries and utilizing new technologies like NFTs to create scarcity and interest. The more artists can become aware of their career opportunities, the more we hope to see the answer to “Is it  possible to earn 100% of your income from your art?” be a “Yes” for every artist.

2022 REPORT

Making a Living as An Artist

New Perspectives

NEW PERSPECTIVES

100 Artists, Countless Ways to See the World

The best artwork encourages us to see the world in new and exciting ways. That’s why at Saatchi Art, we value showcasing emerging artists from all walks of life who contribute a diversity of perspectives. For us, empowering more voices means adding more creativity, inspiration, and beauty to the world. While the traditional art world has been slow to recognize the achievements of artists of color, women artists, and those working outside of major art centers or without a formal art education, these artists have had a home at Saatchi Art since our inception over a decade ago. New Perspectives celebrates our ongoing commitment to equity and equal representation, and features 100 artists from 24 countries. These artists range in age from 25 to 77, 68% are people of color, over half are women, and more than 50% are working across mediums beyond painting. Join us in discovering the power of new perspectives with these talented emerging artists making some of the best art today.
The best artwork encourages us to see the world in new and exciting ways. That’s why at Saatchi Art, we value showcasing emerging artists from all walks of life who contribute a diversity of perspectives. For us, empowering more voices means adding more creativity, inspiration, and beauty to the world.

While the traditional art world has been slow to recognize the achievements of artists of color, women artists, and those working outside of major art centers or without a formal art education, these artists have had a home at Saatchi Art since our inception over a decade ago. New Perspectives celebrates our ongoing commitment to equity and equal representation, and features 100 artists from 24 countries. These artists range in age from 25 to 77, 68% are people of color, over half are women, and more than 50% are working across mediums beyond painting.

Join us in discovering the power of new perspectives with these talented emerging artists making some of the best art today.

100 ARTISTS TO COLLECT NOW

Discover these up-and-coming artists, handpicked by our team of expert curators. Click the thumbnail to explore each artist’s full portfolio.

Christos Tsimaris

“London-based painter, Christos emphasizes the formal structure, composition, movement, and color in his portraiture and figurative works rather than focusing solely on the subjects themselves.”
– Rebecca Wilson, Chief Curator

Kos Cos

“At the start of the pandemic during long periods of lockdown, Kos started a new series to document his feelings of isolation, resulting in the execution of vividly colorful, spinning, and abstracted human faces.”

– Monty Preston, Curation Manager

Nina Fabunmi

“Through vivid depictions of light and shadow, Nina’s paintings document urban scenes imbued with a subtle, everyday beauty.”

– Siting Wang, Assistant Curator

Abreesha Jones

“Using bold and warm colors reminiscent of the African savanna, Abreesha’s paintings are a celebration of expression, freedom, and creativity.”

– Aurora Garrison, Senior Curator

Diana Cheren Nygren

“A fine art photographer from Boston, Diana’s photographs address serious social issues through a blend of urban photography, digital manipulation, and humor.”

– Megan Wright, Senior Curator

Maggie Jiang

“Inspired by her travels and experiences, Maggie has developed a visual language to communicate across cultures and continents.”

– Monty Preston, Curation Manager

Giancarlo LaGuerta

“A self-taught multidisciplinary artist, Giancarlo approaches his portraits as an expressionist painter, using abstraction and an intense color palette in his compositions.”

Siting Wang, Assistant Curator

Viet Ha Tran

“Viet Ha is a Vietnam-born and Spain-based fine art photographer known for her decorative and dramatic photographs that are reminiscent of Pre-Raphaelite paintings.”

– Megan Wright, Senior Curator

Amy Illardo

“Regardless of the subject, Amy focuses on interactions between different colors, carrying this theme across her geometric, expressionist, and figurative works.”

– Aurora Garrison, Senior Curator

K’era Morgan

“K’era’s wonderfully colorful and lively configurations include paper, materials, and images sourced from international magazines, newspapers, and books.”

– Erin Remington, Associate Curator

Aby Mackie

“Through the salvation, destruction, and juxtaposition of textiles and fabrics sourced from her local surroundings, Aby recontextualizes the meaning and value of discarded and recycled materials in her sculptures.”

– Siting Wang, Assistant Curator

Hyunju Kim

“Hyunju is a South Korean artist who explores the relationship between the subconscious, dreams, and childhood memories in her surreal figurative paintings.”

– Rebecca Wilson, Chief Curator

Yinan Chen

“Collected from nature, and malleable to the artist’s vision, clay is the primary material Yinan turns to in order to examine industrial and ecological tensions.”

– Megan Wright, Senior Curator

Sharon Alviz

“Born in Barranquilla, Colombia, Sharon uses her conceptual photography to capture how urban scenes and nature are interpreted through consciousness.”

– Monty Preston, Curation Manager

Rebecca Stern

“Culminating in thoughtful compositions she describes as mental landscapes, Rebecca’s mixed-media works proffer a sense of peace, serving as spaces to assist with the acceptance of contradictory feelings and uncertain circumstances.”

– Aurora Garrison, Senior Curator

Lorenzo Diggins Jr

“As a photojournalist, Lorenzo is committed to telling the stories of his subjects and wants his photography to act as a bridge across different cultures and communities across Los Angeles.”

– Megan Wright, Senior Curator

Brian Oldham

“In his conceptual photography, Brian invites the viewer into a world full of bare skin, bright colors, and imagined scenes.”

– Rebecca Wilson, Chief Curator

Anahita Amouzegar

“Utilizing high contrasts of color in her depictions of female figures, Anahita explores various themes—from lighthearted and peaceful topics to more serious and insightful issues.”

– Siting Wang, Assistant Curator

Agung Hartono

“Through his art practice, Indonesian artist Agung endeavors to work through his emotional vulnerability and instability and hopes that his calming abstract paintings will encourage others to do the same.”

– Rebecca Wilson, Chief Curator

Annike Limborco

“Annike’s minimalist work characterized by a simple color palette and clean compositions creates an immediate sense of calm.”

– Erin Remington, Associate Curator

Andrea Coleman

“Andrea’s work imbues life into old family photographs and embodies contemporary nostalgia.”

–  Aurora Garrison, Senior Curator

 

Catherine Vermaut

“Catherine composes her figures with a combination of grisaille pencil-drawn faces and bright, color-blocked clothing to achieve a contrast in softness and hard lines.”
– Megan Wright, Senior Curator

Twikirize Switzin

“For the past year and a half, Ugandan-based artist Twikirize has made the gradual transition from drawing to painting, culminating in a vibrant new series that shows real people coping with daily life in Kampala.”

– Aurora Garrison, Senior Curator

Ken West

“Inspired by mindfulness and the science of perception, Ken seeks to photograph common objects and occurrences as they are, rather than how we might wish them to be.”

– Siting Wang, Assistant Curator

YiSeon Jo

“To create his richly textured and sculptural collages, YiSeon meticulously layers papers in alternating forms and colors.”

– Monty Preston, Curation Manager

Sean Hamilton

“Using scenes from another era, Sean’s paintings explore themes that are nonetheless recurring and contemporary: from child poverty and gender to political divides.”

– Erin Remington, Associate Curator

Dimeji Onafuwa

“Drawing inspiration from the 1960s Bay Area figurative expressionists like Richard Diebenkorn, Nathan Oliveira, and Joan Brown, Dimeji focuses on depictions of the figure to represent his local landscape and culture.”

– Monty Preston, Curation Manager

Dave McClinton

“Based in Austin, Dave uses the medium of digital collage to speak to contemporary issues surrounding race, American history, and beauty standards.”

– Aurora Garrison, Senior Curator

Markenzy Cesar

“As a figurative painter who was born in Haiti and then immigrated to the US, Markenzy’s work focuses on unique stories from life in both places.”

– Megan Wright, Senior Curator

Sarah Edwards

“Growing up in Northern California surrounded by wildlife preserves, Sarah established her signature style and subject of statuesque animals that call attention to the environmental and biodiversity issues we face today.”

– Siting Wang, Assistant Curator

Marisa Mu

“Unapologetically bare and confident, Marisa’s dancers are full of energy, embodying aspirational freedom in their unabashed and euphoric physical expressions.”

– Rebecca Wilson, Chief Curator

Jalen Khalil Lacy

“At a young age, Jalen had to confront certain realities facing Black artists, which he now uses to inform his mixed-media works and better understand his own humanity and reality.”

– Rebecca Wilson, Chief Curator

Amy Smith

“In her mixed-media portraits, Amy uses hand-cut stencils and imagery from magazines that represent her love of design and disapproval of excessive consumerism.”

– Monty Preston, Curation Manager

Justine Johnson

“Often working with indigo, Justine’s rich, mixed-media artwork connects the dye’s history with its experimental possibilities.”

– India Balyejusa, Assistant Curator

Carlos Gamez De Francisco

“Carlos’s portrait painting and photography spark a collision between classical and contemporary figures, challenging the history of representation of the female form in art history.”

– Aurora Garrison, Senior Curator

Kiara Aileen Machado

“Kiara combines Central American imagery with a vivid color palette––artfully obscuring her figures into the surrounding environment to create a story that highlights marginalized communities.⁠”

– Megan Wright, Senior Curator

Dane Shue

“Based in Dallas, Dane investigates nostalgia and celebrity culture through the time-honored Pop Art techniques of repetition and screenprinting.”

– Siting Wang, Assistant Curator

Alexa Torre Rodriguez

“Alexa’s brightly colored photographs bring a strong feministic spin to traditional symbols of Mexican culture.”

– Erin Remington, Associate Curator

Chin H Shin

“Chin’s goal is to transform street scenes of daily life into a form of visual poetry, creating a new kind of expressionism.”

– Monty Preston, Curation Manager

TaLisa

“TaLisa builds up expressive portraits and abstracts with complex, intuitive layering of ink, washes, and oil.”

– Aurora Garrison, Senior Curator

Jesus Pedraglio

“Based in Lima, Peru, Jesus emphasizes line work, kinetic energy, and combinations of color in each of his tactile sculptures.”

– Megan Wright, Senior Curator

Gregory Prescott

“Attuned to light and the impact of simplicity, Gregory creates sensual compositions with visceral texture, capturing the statuesque and confident presence of his models.”

– Rebecca Wilson, Chief Curator

Cuevawolf

“Cuevawolf points to the past with her staged photographs that are a modern take on the traditionally illustrated Mexican Lotería cards.”

– India Balyejusa, Assistant Curator

Maliheh Zafarnezhad

“Maliheh combines found materials and objects like wood, mirror, ceramics, family photos, and historical illustrations to create multi-layered collages that speak to religious themes such as pilgrimages.”

– Erin Remington, Associate Curator

Clara Aden

“Lagos-based artist Clara has worked professionally as an illustrator and storyboard artist, and is the Vice President of the Female Artists Association of Nigeria and the President of Beyond Borders Artists Association of Nigeria.”

– Monty Preston, Curation Manager

Caroline Liu

“Seeking to process her experiences as an Autistic adult, and grapple with the short-term memory loss she incurred after a series of concussions, Caroline turns to visual and tactile mediums to document memories and give form to her thoughts and imagination.”

– Aurora Garrison, Senior Curator

Kendall Hill

“A Chicago-based photographer, Kendall focuses on notions of the sublime, the importance of self-reflection, and finding beauty in everyday tasks.”

– Megan Wright, Senior Curator

Young Shin

“Through a unique process that explores the concept of excavation and unearthing, Young peels away colored paper that was meticulously built up, applied, layered, and dried to create abstract paintings.”

– Erin Remington, Associate Curator

Chantal Barlow

“Chantal’s magnetic abstract paintings have been featured in Vanity Fair Italy, British Vogue, The Guardian, and Huffington Post.”

– Megan Wright, Senior Curator

Hunjung Kim

“After framing her subjects with close, intimate angles, Hunjung adds shocks of color to bring forth forgotten memories in her viewers.”

– Monty Preston, Curation Manager

Tomasz Cichowski

“Tomasz constructs highly meditative, minimalist compositions that encourage deep introspection and focus.”

– Monty Preston, Curation Manager

Marilyn Lowe

“Marilyn’s intricate drawings vibrate with energy and can range from botanical to surrealist forms.”

– India Balyejusa, Assistant Curator

Javiera Estrada

“Javiera captures the vicissitudes of human relationships and emotion through sensual photographs.”

– Megan Wright, Senior Curator

SangJune Won

“Through the interwoven application of silk and rope in his embroidered paintings, SangJune converts these utilitarian materials into elegant works of art.”

– Monty Preston, Curation Manager

Ziyun Zhang

“A Saatchi Art Rising Star alumni, Ziyun uses her art practice to better understand and reflect on the human subconscious, psychological states, and the otherness of people.”

– Aurora Garrison, Senior Curator

 

Kyle Yip

“Kyle is a JUNO Award-nominated hypersurrealist artist recognized for his recreations of visual art, electronic music, and films originally envisioned in his dreams.”

– Rebecca Wilson, Chief Curator

Viola Babol

“Viola portrays her female subjects as heroines and muses, hinting at stories of femininity and strength.”

– Megan Wright, Senior Curator

Rapheal Crump

“Focusing on the urban landscapes of New York and Dallas, Rapheal’s colorful paintings convey action and the effects of light.”

– Monty Preston, Curation Manager

David Farrés Calvo

“Inspired by Spanish old masters like Francisco de Zurbarán and Diego Velázquez, David creates realistic paintings of people going about their daily lives—documenting everyday activities from walking around city streets to visiting art museums.”

– Aurora Garrison, Senior Curator

Benjamin Garcia

“A Venezuelan artist, Benjamin’s complex portraits experiment with movement, color, and transformation––leaving the ultimate meaning of his works open to the viewer’s interpretation.”

India Balyejusa Assistant Curator

Michael Vincent Manalo

“An award-winning fine art photographer, Manalo focuses on photo-manipulation techniques to generate imagined and surrealist environments that are often post-apocalyptic in theme.”

– Erin Remington, Associate Curator

Rodrigo Jimenez-Ortega

“In his drawings and paintings, Rodrigo combines Mesoamerican iconography with tropes from pop culture and video games.”

– Rebecca Wilson, Chief Curator

Madoti Oluwadamilare

“A self-taught artist based in Lagos, Madoti recently exhibited his work at the Red Dot Art Fair in association with TAAG Gallery, which represents original works from Nigeria’s top emerging artists.”

– Monty Preston, Curation Manager

Young Park

“Using bright colors, and a touch of abstraction, Young’s figurative paintings showcase anonymous and boldly rendered human forms.”

– Erin Remington, Associate Curator

Karen Powell

“Based in Chicago, Karen incorporates collaged photos, text, and acrylic paint on canvas to make visual flurries of childhood memories and nostalgia.”

– Aurora Garrison, Senior Curator

Keun Ju Park

“Devoted to exploring the boundaries between physical reality and virtual worlds, Keun Ju manipulates perspective and composition to create three-dimensional spaces that are evocative of abstract minimalist paintings.”

– Megan Wright, Senior Curator

Cristina Figarola

“With a background in lighting design, including her award-winning Totora lamp, Cristina is a trailblazing craftswoman and inventive sculptor.”

– Rebecca Wilson, Chief Curator

Miguel Angel Briones

“Spanning a career of over forty years, Miguel has been a wildlife photographer, dabbled in aerial photography, and has worked as a fashion and travel photographer.”

– India Balyejusa, Assistant Curator

Yeongok Kim

“Through a combination of oil paint and silk on canvas, Yeongok attempts to give shape to the movement of light.”

– Erin Remington, Associate Curator

Ricardo Harris-Fuentes

“Blending classical subjects with modern compositions and fluorescent colors, Ricardo’s paintings transport the viewer into a deeply meditative and sensory world.”

– Rebecca Wilson, Chief Curator

Zoe Lunar

“Zoe’s figurative paintings and drawings blend realism with surrealist themes as he explores the relationship between an individual’s self-consciousness and space and time.”

– Aurora Garrison, Senior Curator

Ryan Murray

“With cans of spray paint and intricate stencils, Ryan investigates the unsettling but important conversations surrounding societal norms and mental illness within Black communities.”

– Megan Wright, Senior Curator

Rossina Bossio

“In her paintings, Rossina explores the complexity and ambiguity of the gender ideals that colored her upbringing, primarily through staid and thoughtful female subjects.”

– Erin Remington, Associate Curator

Hikaru O

“Through the transformation and refinement of line, color, and form, Hikaru’s painting bridges the gap between abstraction and graphic design.”

– Rebecca Wilson, Chief Curator

Fares Micue

“As the main protagonist in her works, Fares transforms herself and her surroundings to tell emotional stories that are left open to interpretation from the viewer.”

– Siting Wang, Assistant Curator

Daria Dmitrieva

“Mesmerized by the interplay between color, texture, and form in nature, Daria attempts to recreate these natural phenomena in her highly abstract and tactile paintings.”

– Monty Preston, Curation Manager

Ekow Brew

“Ekow’s surrealist digital works draw on personal experience, and his view of the cosmos, celebrating and bringing them into focus with neon colors and patterning.”

– India Balyejusa, Assistant Curator

Swapna Namboodiri

To raise awareness to ocean pollution, Indian artist Swapna solely uses landfill plastics to create her delicate sculptural works.”

– Rebecca Wilson, Chief Curator

Tianna Bracey

“Tianna uses monumental scale to paint thoughtful portraits that, through a process of visual storytelling and rich personal symbolism, bring the legacy of her subjects’ ancestors to the forefront.”

– India Balyejusa, Assistant Curator

Simon McCheung

“Taking influences from films and stories of his youth, Simon’s surrealist photographs ask viewers to suspend their disbelief and discover their inner child.”

– Rebecca Wilson, Chief Curator

Liqing Tan

“With an MFA from UCL Slade School of Fine Art, Liqing approaches depictions of the body as if it were a landscape—focusing on ambiguous forms and expanses of color.”

– Erin Remington, Associate Curator

Dawn Beckles

“Mixed-media artist and painter Dawn puts a contemporary twist on the classic still life genre, with punchy color palettes and sentimental details of modern home interiors.”

– Megan Wright, Senior Curator

Rebecca Lejic-Tiernan

“In her exploration of how photography can replicate psychological states, Rebecca attempts to illustrate the misunderstood relationship between the natural environment and our bodies.”

– Siting Wang, Assistant Curator

Vanessa van Meerhaeghe

“Vanessa’s landscapes transport you to tropical locales studded with female figures inspired by fashion advertisements.”

– India Balyejusa, Assistant Curator

Yermine Richardson

“Drawing inspiration from his African heritage, Yermine reimagines traditional motifs of womanhood, spiritualism, and cosmology.”

– Rebecca Wilson, Chief Curator

Marcel Ceuppens

“Coming from a successful career in advertising, Marcel’s digital prints take inspiration from mid-century modernist design.”

– India Balyejusa, Assistant Curator

Lauren Denitzio

“For Lauren, making figurative works is an act of reclaiming oneself, exploring one’s potential, and championing marginalized communities.”

– Erin Remington, Assistant Curator

Karolina Maszkiewicz

“Incorporating kinetic elements and floral concepts into her artworks, Karolina is inspired by twentieth century artists such as Niki de Saint Phalle, Gertrude Goldschmidt (Gego), and Eva Hess.”

– Monty Preston, Curation Manager

Nathalie Thibault

“With a combination of intuition, chance, and control, French-Canadian artist Nathalie creates abstract oblong-shaped paintings that are simultaneously fluid and restrained.”

– Aurora Garrison, Senior Curator

Sasi Kladpetch

“Sasi’s multimedia sculptures represent the tension between the environment and modern society, depicting the relationship between humans and nature through slabs of concrete and organic elements.”

– Aurora Garrison, Senior Curator

Steve Kalinda

“Working as a multimedia artist, Steve transfers his digital creations onto paper and canvas, resulting in vibrant and graphic compositions.”

– Megan Wright, Senior Curator

Marijah Bac Cam

“Marijah’s unique gestural style brings together influences which come from her time spent living and studying art in Laos and Europe.”

– Rebecca Wilson, Chief Curator

Malene Barnett

“Malene refers to and is inspired by West African tradition through her hand-built, conical sculptures.”

– India Balyejusa, Assistant Curator

Nicola Wiltshire

“Using her own oil paint and soft pastels made by centuries-old techniques, Nicola overlays her handmade materials across patterned fabrics to create playful abstract paintings.”

– Monty Preston, Associate Curator

Diana Iancu Torje

“A Romanian artist living in Paris, Diana often makes work that features intricate and densely packed organic and natural forms.”

– Rebecca Wilson, Chief Curator

Aaron Lee

“Fascinated by philosophy, color theory, and design craftsmanship, Aaron uses imagery and iconography from art history to comment on today’s consumer culture.”

– Aurora Garrison, Senior Curator

Seda Saar

“Seda uses her lifelong captivation of the visual and emotional effects of color, light and shadow to create sculptures that transform and take shape differently to each viewer.”

– Erin Remington, Associate Curator

Cristina Cañamero

“A visual artist based in Spain, Cristina mixes elements of surrealism, symbolism, and humor into her hyper-realistic depictions of women.”

– India Balyejusa, Assistant Curator

Giovanni Martins

“A Black-Dutch photographer living in New York City, Giovanni uses stylized, fashion portraits of people of color to speak to beauty standards today.”

– Monty Preston, Curation Manager

Lisa Hunt

“Lisa’s powerful gold-leaf works have caught the attention of curators, designers, and publishers across the globe—with one of her works even appearing in the New York Times bestseller In the Company of Women by Grace Bonney.”

– Erin Remington, Associate Curator

22 Artists to Collect in 2022

More Beautiful In Person

Utilizing photo collage and still life, Dylan Everett uses experimental techniques to simultaneously speak to contemporary art and culture while questioning traditional notions of taste, sensuality, and beauty and paying homage to LGBTQ-identified creatives. In his fabricated spaces, there is no distinction between highbrow and lowbrow, historical or contemporary. 

Since graduating with an MFA in photography from the Rhode Island School of Design (RSID) in 2019, Dylan has exhibited his photography in galleries across the US.

Dylan held a solo exhibition at the renowned Griffin Museum of Photography in Winchester, Massachusetts.

His work has been featured in notable publications like Lenscratch and Float Magazine.

Blue Room, $3,210

Latifah A Stranack challenges the traditional perceptions of the female body and gaze through the invented heroines in her paintings. These abstracted heroines depicted in bold colors and thick brushstrokes embody feminine strength and vulnerability through all stages of life and cultures.

Latifah recently graduated with an MFA from Slade School of Fine Art, London, and received a MA from the Royal College of Art, London, in visual communication and a BA (Honors) from Central Martins, London. She has exhibited her work in multiple group exhibitions and currently resides in London.

She has received notable awards such as the Desiree Painting Prize in 2021, the Max Werner Drawing Prize in 2020, and The Terence Cuneo Memorial Trust award in 2020.

Latifah is currently part of In Transit, an online art platform supporting multidisciplinary projects, and previously was an artist resident at Colart Winsor & Newton in London.

The Pursuit of Paradise, $7,450

Social bonds are examined through a mental health lens in Rachel Rodrigues’s pink-tinged paintings. Her compositions resemble snapshots from a family photo album—fleeting moments that help shape our identity. The lighting, expressions, and body language of Rachel’s subjects hint at their inner experiences and relationship to one another. 

Currently based in London, Rachel earned her Ph.D. in psychology from Imperial College London.

Rachel was shortlisted for the Ashurst Emerging Artist Prize in 2020. 

She has exhibited her work with notable galleries across London, such as Highgate Contemporary Art, Ashurst Gallery, Hoxton 253 Art Project Space, and Blyth Gallery.

Night Crawlers in Highbury Grove, $860

Artist Ferguson Amo uses hyperrealistic drawings, photographs, and installations to capture the contemporary African identity. Examining the effects of diaspora on cultural identity, Ferguson invites the viewer to question how we can move the image of blackness towards emancipation. 

Ferguson received his BA in digital art from Manhattan College and MFA from the School of Visual Arts in New York. Currently residing in New York City, Ferguson has exhibited his works in numerous solo and group shows in the New York City area.

In 2021 Ferguson held a solo exhibition at the Kente Royal Gallery in New York City.

—His work was shown in group shows at UNTITLED ART FAIR in San Francisco, VisArts in Washington, DC, Regular Normal in New York City, and International Independent Art Fair in Harlem.

Ikechukwu, $6,400

Mich Miller is a Los Angeles-based multidisciplinary artist working across painting, printmaking, and installation. Mich’s work challenges traditional perceptions of color theory by using color as a cultural signifier with distinct, societal meaning. Their art practice is informed by queer histories, transmuting personal experiences into dense layers of shape and shade. Drawn towards highly saturated colors and chemical reactions, Mich subtly pays tribute to scientific discoveries connected to their trans identity.

Mich earned their BFA from the School of the Artist institute of Chicago and an MFA in painting and printmaking from Yale University in New Haven, Connecticut in 2021.

In 2018 they co-founded The Print Shop LA—a collaborative printmaking studio in Los Angeles, which offers internships, collective studio access, and artists-in-residence programs. 

—Mich has exhibited work in solo and group shows, including Lyles & King in New York City, New Image Art Gallery in West Hollywood, Super Chief Gallery in Los Angeles, All Star Press in Chicago, and Ladies’ Room in Los Angeles. 

—They have collaborated on projects with major brands such as Pitchfork Music Festival, Vans, Psycho Bunny, and Facebook. 

Ikechukwu, $6,400

Aparna Sarkar’s paintings are born from her queer, diasporic experiences. Colliding elements of memory and myth, abstraction and figuration, and flatness and perspective, Aparna creates works that highlight the instability of the self and disrupt the traditional ideal of formal hierarchy. 

Located in Brooklyn, New York, Aparna holds an MFA in painting from the Rhode Island School of Design (RISD) in Providence, Rhode Island, and a BA in mathematics from Pomona College in Claremont, California. She has exhibited in multiple galleries, and her work is held in collections internationally.

Aparna was awarded full scholarships to attend residencies with Jentel Foundation in Wyoming, Manhattan Graphics Center in New York, Obracadobra in Oaxaca, and Woodstock Byrdcliffe Guild in New York.

She has exhibited her work across New York and Rhode Island at the 1969 Gallery, Leslie-Lohman Museum of Art, Field Projects, Pace University Gallery, and the RISD Museum.

Divers II, $3,610

Joanna Holisz’s oil paintings sit at the poles of absurdity and mundanity. Defined by exaggerated color tensions that coexist within childlike brushstrokes, Joanna’s paintings seek to deconstruct magnificent pieces in history and leave the viewer to wander through conflict and chaos.

Joanna received her BA (Honors) in painting and printmaking from The Glasgow School of Art and currently lives in Glasgow, Scotland. Her works are regularly included in exhibition spaces throughout Glasgow and Vienna.

Joanna was shortlisted for The Royal Scottish Academy New Contemporaries Annual Exhibition in 2023. 

—She is a co-creator at New Wave Press, an online publication and exhibition space for early and emerging artists and writers. 

She is a committee member of The Alternative Degree Show Festival—a student-led initiative that takes place in exhibition venues throughout Glasgow.

Steam Cloud (Blue Lines), $860

Nicole Schonitzer’s work actualizes a space where formal abstraction and bodily narrative collide. In her constructed world, there is power in softness, impulsivity is celebrated, and tenderness rules.

Nicole Schonitzer holds an MFA in painting from the Rhode Island School of Design (RSID) in Providence, Rhode Island, and a BA from Vassar College in Poughkeepsie, New York. Her work has been shown in galleries in New York City, Chicago, Poughkeepsie, Providence, and London.

Nicole has been featured in multiple group exhibitions, including the online “Contemporary Art Show” with Art & Object and “Feminized” at Gelman Gallery in Providence.

Her work has been in publications like Create! Magazine.

Rays, $2,860

Inspired by her daily interactions and family photographs, Milica Lazarevic explores themes of the individual, identity, and the relationship humans have with society and nature. Portrayed mostly in muted and cool tones, Milica creates stylized scenes that give a sense of nostalgia. 

Milica received her MFA from the University of Arts in Belgrade, Serbia, where she is now pursuing her Ph.D.

Milica has won awards with the Foundation Velickovic in Belgrade, Dafen Biennale in Shenzhen, China, and the Faculty of Applied Arts at the University of Arts in Belgrade.

—Recently, she has exhibited at Gallery Cankarjev dom in Ljubljana, Slovenia, and Gallery O3ONE in Belgrade.

Shelter, $2,080

Using washes of color and unexpected compositions, Daniel Bauman depicts unfamiliar spaces unfolding across his canvases. Just as his unplanned creative process brings unpredictable development and discovery, Daniel’s oil painting reveals the fluidity of space and time, expressing the ever-changing aspects of the environment, society, and people.

Based in Chicago, Daniel received a BS in architecture from the University of Maryland and an MFA in painting and drawing from the School of the Art Institute of Chicago in 2022. His works have been exhibited in group exhibitions across Milwaukee and Chicago.

He received the Leonard Rosenfeld Merit Scholarship from the Art Students League of New York in 2017. 

Daniel’s work was published in Art Maze Magazine’s “Summer Issue 23” in 2021.

Sun Spa, $2,710

Res

Res’s photography centers on the intimate experiences they encounter as a queer trans artist. Each still-life, taken entirely from their perspective, evokes a visceral response by addressing the political through the personal.

Res received their BA in sociology and studio art from Smith College in Northampton, Massachusetts, and their MFA in photography from Yale University in New Haven, Connecticut. They currently reside in Stockholm, Sweden, where they intend to complete a post-master’s program in curation.

They have exhibited their work throughout the US at Shulamit Nazarian in Los Angeles, Casemore Kirkeby in San Francisco, Invisible-Exports in New York City, and BRIC in Brooklyn.

Their work has been shown in publications including Aperture, Cultured Magazine, Girls Like Us, Matte Magazine, The New Yorker, The New York Times, The Paris Review, and Vice Magazine.

Self-Portrait (Warm), $2,170

Mathew Fierke’s paintings embrace bold, saturated colors juxtaposed with harsh, black outlines to capture the standardized images of the digital age. Initially inspired by urban subjects of digital photography, Mathew paints recognizable motifs from pop culture to evoke themes of death, privacy, and memory. 

Mathew received his BFA from Emily Carr University of Art + Design in Vancouver, Canada. 

Mathew’s work has been exhibited across Vancouver, including at the Emily Carr University Writing Center, the Royal Bank of Canada Media Gallery, North Vancouver Community Arts Council, and the Renegade Art Studios.

Windows, $590

Gala Bell is a multidisciplinary artist whose practice cultivates two strands of making—one honoring tradition by embodying precepts of classical and baroque, and the other seeking to disrupt it. Using unconventional materials and methods usually found in a kitchen, Gala transforms her studio into a lab of material transformation, creating busts made of sugar and deep-fried paintings.

Gala holds an MA in painting from the Royal College of Art in London and a BA (Honors) in fine art from City & Guilds of London Art School. She has exhibited in multiple museums and galleries, including The Victoria and Albert Museum in London, The London Design Festival, The Design Museum in London, the Korean Cultural Institute in Berlin, and Galerie der HBKsaar in Saarbrücken, Germany.

Gala was commissioned by BBC One and Tate and Lyle for her sugar sculptures, with a piece acquired by the Tate and Lyle Museum archive in London.

She was shortlisted for the Ashurst Art Prize in 2021, featured in Sotheby’s Made in Bed Magazine, Dazed, Art Reveal Magazine, and interviewed on the To The Studio podcast.

The Yellow Oleander, $2,140

A Vancouver-based artist, Hanna Bang challenges perceptions of physical and virtual space in her flattened depictions of interiors dotted with abstract figures. Utilizing imagery from Korean mass media and American popular culture, Hanna constructs synthetic realities overrun with electronic devices and screens to illustrate the omnipresence of the internet in today’s society. 

Hanna attended Emily Carr University Arts + Design in Vancouver, Canada, where she received a BFA in fine art. She recently exhibited her work in Vacant Museum’s online show, “The Next Generation.”

Hanna is a multidisciplinary artist, working across painting, digital photography, documentary film, and performance art.

She has received various grants from the Canada Council for the Arts and the British Columbia Arts Council.

Hanna worked with Pepsi for a series of LIFEWTR water bottles featuring her design. 

Horse Riding, $5,550

Through expressive color combinations, textures, motifs, and materials, Nina Shishkina’s textiles capture dualities of the visual and tactile as well as the sacred and profane. At the core of these juxtaposing themes lies the exploration of womanhood.

Nina received her BA in fashion textiles from the London College of Fashion and her MFA in textiles with a focus on weaving and print from Rhode Island School of Design (RISD).

Her embroidery was published in Vogue Italia “Talents’ 15.” 

Nina served as Chief Embroiderer for the Couture Maison Ulyana Sergeenko.

Womanhood Kimono Series, $4,850

A lifelong fascination with geometric patterns and clean lines drew Edward Chao to architectural photography. Interested in minimalism and monochrome, he takes heavy influence from the deadpan style of image-making—an objective, detached, and technically masterful approach rich in visual information. 

Edward attended the School of the Art Institute of Chicago and obtained his BFA with an emphasis in photography and video. He is a Taiwanese-Canadian artist currently based in Chicago.

A photograph of Edward’s was selected as the Editors’ Pick in the 2017 LensCulture Street Photography Awards.  

He exhibited at The Other Art Fair in Chicago in 2019 and 2020.

Spiral, $700

Living and working in London and Taiwan, Yi Ling Lai brings an interdisciplinary and cross-cultural dialogue to her paintings. With a background in calligraphy art, Yi Ling seeks to deconstruct traditional Chinese calligraphy, using abstract lines to create a universal rhythm that spans time and space.

Yi Ling received her BFA in calligraphy art and Chinese painting from the National Taiwan University of Art and her MFA in fine art from Kingston University in London.

Yi Ling was shortlisted for Bloomberg’s New Contemporaries in 2021 and completed a residency at Blue Shop Cottage AMASSA in Mauroux, France, in 2021. 

Her works have been exhibited in galleries worldwide, across the UK, France, and Taiwan.

Untitled0312, $1,835
Effortlessly blending and employing colorful palettes with abstract geometric patterns, Sonia Bensouda constructs Surrealist compositions with multi-layered collages in her photographs. Drawing inspiration from her interior architectural background, she playfully portrays the relationship between people and the environment, exploring the presence and absence of bodies and spirits in both physical and virtual spaces. Sonia received her MA in interior and spatial design from Chelsea College of Art in London, where she now lives and works. Sonia was shortlisted and exhibited for the Ashurst Emerging Artist Prize in 2020.In 2020, she showed her work at the Talented Art Fair in London, UK. 
The Reversed Hotel, $198

Harlan Goldman-Belsma’s paintings and drawings embrace objects and spaces of the mundane that exude an appreciation for the world around him. Utilizing faded hues and delicate pen marks, Harlan explores feelings of warmth, nostalgia, and familiarity in his work.

Harlan received his BFA from the University of California, Los Angeles (UCLA) in 2021 and now lives and works in Venice, California.

His works have been exhibited in various shows at UCLA’s Department of Art.

In 2021, the Daily Bruin—UCLA’s student-run newspaper—published an article on Harlan and his work.

Alley Chairs, $1,145

Matilda Barretta’s contemporary figurative paintings capture moments of silent drama—similar to a film still. Mysterious and a little bit intense, Matilda’s figures quietly hint at the larger narrative yet simultaneously portray the action and urgency of the moment captured. To further build the drama and mystery of her narrative scenes, Matilda employs thin layers of paint, vibrant colors, and harsh angles that charge her compositions with emotion and uncertainty. 

Matilda has studied at the Glasgow School of Art in Scotland, L’Ecole de Beaux-Arts in Paris, France, and the University of the Arts London, Camberwell College of Arts in the UK.

—Matilda has exhibited her work throughout London and Glasgow, including Avalon Cafe, Wasp Studios, Rabbit Skin, The Glue Factory, and Hanson Street Studios.

 

Untitled (Three), $3,200

Inspired by the landscape surrounding her, Jasmine Mills paints abstracted compositions of strange, spiritual, and surreal places. Jasmine aims to depict narrative scenes that explore the relationship and interactions between figures and the landscapes they exist within. 

Based in Cornwall, UK, Jasmine was the first in her class at Falmouth University, Falmouth School of Art, where she received her BA in fine art. She has exhibited her work in numerous galleries, including The Yare Gallery in Great Yarmouth, Centrespace Gallery in Bristol, and the Tremenheere Gallery in Cornwall. 

Jasmine is a Newlyn Society of Artists member (based in Cornwall, UK).

She has been featured in Drift Magazine, an international print magazine devoted to coffee culture.

Night Time Antics, $3,995

Influenced by the women in her family, Sylvia Batycka uses antique photographs with muted and hazy colors to create a sense of storytelling in her figurative paintings that explore female narratives. Sylvia describes herself as “an archivist,” transcribing photographs of women to her canvas—actively breaking from the constraints of time and connecting the past and present.

Slyvia holds an MFA in fine art from Wimbledon College of Art at the University of London. 

—Recently, she had a solo exhibition at One Paved Court in London.

—She was a finalist for ING Discerning Eye Competition in 2020 and The Ingram Collection Purchase Prize for Young Contemporary Talent in 2019.

Lilly blowing the kiss. 25.12.2020., $1,040

Drawing inspiration from performance theater, Tobias Francis’s oil paintings employ abstracted figures to achieve visual artificiality. Starting with imagery from second-hand books, Tobias blends visual elements from literature and history to depict fictional scenes, allowing the absurd and uncanny to unfold on the canvas.

Tobias received a BA (Honors) in painting from Edinburgh College of Art in Scotland.

He received the John Kinross Scholarship Award from the Royal Scottish Academy in 2021.

Tobias was longlisted for the Robert Walters Group UK New Artist of the Year Award in 2021 and the John Moores Painting Prize in 2020.

Chasing Rainbows, $2,490

Currently living and working in Nanjing, China, artist Kaijia Zheng is deeply interested in Chinese Taoist philosophies and Zen Buddhist teachings. Through her continual study and fascination with these ancient philosophies and schooling, Kaijia has formed her own aesthetic style that incorporates Taoist and Buddhist theories. For example, in the Zen system of thinking, the mirror symbolizes the pure of mind. Similarly, Kaijia sees her paintings as a mirror of herself, acting as a portal into the depths of her unconsciousness and reflecting her inner senses and thoughts. 

Kaijia received her BFA from the Accademia di Belle Arti di Brera in Milan, Italy, and her MFA from the Royal College of Art in London, UK. 

The artist has shown her work in galleries internationally, in cities such as London, Milan, Rome, Paris, and Beijing.

Notable exhibitions include “Seeable and Sayable,” at No Space in Beijing; “White Box Series,” at White Box Art Space in Beijing; “Thumbnails,” at Hockney Gallery in London; “Ten Metaphors,” at Safehouse Gallery in London; and “Simu-Lacres” an online exhibition with No Space in London.

Relatum’s Double, $8,110

Ami works with unique textile techniques to create irregular and infinitely variable natural forms that fill the surface of her canvases. Having a deep scientific and spiritual curiosity, Ami explores the vibration and connection between the human mind and objects represented by fiber materials and repeated textures and colors.

Ami, originally from Seoul, Korea, received a BFA in fashion design from Parsons The School of Design in New York City, where she currently resides and works. She has exhibited her work in New York, London, Paris, and Seoul at notable galleries such as Ethan Cohen Kube, the Royal Society of American Art, Holy Art Gallery, Gallerie Dièse, and the Czong Institute for Contemporary Art.

—Recently, her artwork contributed her work to a multi-disciplinary project with the Museum of Modern Art and Bronx Museum in New York City.


—Ami is an artist with the Immigrant Artists Mentoring Program at the New York Foundation for the Arts, granted by the Puffin Foundation.


—She has an upcoming residency program at the School of Visual Arts, New York City, for Interdisciplinary Practices in Bio Art.

 

Deep Into Your Wounds, $1,080

Exploring and questioning the use of certain materials, mixed-media artist Rachel Daly reflects on the occupation of space and simplified forms in the environment. Rachel’s work is an abandonment of rules, deconstructing materials and objects to reimagine and recreate them. In her recent Black Flower series, she reshapes oil paints into a medium with a sense of space and dimension.

Rachel graduated from Camberwell Art School and Chelsea Art School in London and currently resides in Connecticut, US.

She has exhibited at The Other Art Fair Los Angeles, Dallas, Chicago, and Brooklyn.

Her works have been showcased at Red Dot Art Fair in Miami and Art Expo in New York City. 

Orchid, $495

Nikolajs Klimovs’s work expresses cognitive, spatial, and color interplay in an abstract form. The choice of paper medium is deliberate, an exercise in relinquishing ingrained anxieties brought on by perfectionism and the drive for control, with shapes cut free-hand and fixed all at once, using no markings or rearrangements.

Nikolajs graduated from the London College of Fashion with a BA in fashion design technology. Born in Latvia to Russian parents, the artist moved to London in 2004, where he now lives and works.

After graduating, he started a career in luxury fashion that spans over a decade.

His most recent series, Free and Fragments, addresses overcoming mental health challenges through subtle abstract expressionist forms.

Fractured, in Red No. 3, $870

Taking cues from Cubist artists, Hank Ehrenfried expands on their planar studies with the dimensionality of collage. After cutting, folding, and layering archival imagery, drawings, and studio ephemera and pinning the creation to his studio walls, Hank paints the final composition. The result is a multifaceted viewing experience that encourages contemplation of the fixed and the moveable.

Hank holds a BFA from Carnegie Mellon University in Pittsburgh, Pennsylvania, and an MFA in painting from Pratt Institute in Brooklyn, New York.

In 2019 Hank completed a 6-month residency at the Trestle Art Space in New York.

His solo exhibitions include shows at Welcome Gallery in Charlottesville, Virginia; Quappi Projects in Louisville, Kentucky; and AuxierKline, New York, New York. 

January 13, 2022 5:17pm, $2,170

Glasgow-based artist, Oscar Marcus Boyle explores themes of neurodivergence, phenomenology, and anthropocentrism in his mixed-media paintings, drawings, and prints. Oscar’s brightly colored gestural works invite viewers to question the cultural history of his subject matter.

Oscar earned his BA at the Slade School of Fine Art at The University of College in London, UK. He is currently located and pursuing his MLitt at the Glasgow School of Art in Scotland.

Oscar’s work has been published by the literary zine, Versification, and Eyot Magazine.

The Breadbasket Man, $1,140

Thomas Hjelm is a multidisciplinary artist working predominately across print, painting, and sculpture. Employing a combination of custom printers and scanners, Thomas constructs sculptural collages that reference colloquial and everyday language, affectations, and slogans. Thomas breaks down modern communication, digital, and print media in his tactile compositions displaying styles of speech that are highly persuasive, informative, or commemorative. 

Thomas obtained his BA (Honors) from the Chelsea College of Art & Design at the University of the Arts London and his MA from the Royal College of Art (RCA) in London.

Thomas has exhibited his work extensively throughout London at galleries such as Saatchi Gallery, RCA, and Truman Brewery. 

He was awarded the HIX Award, an annual competition at the CNB Gallery in London, the Ashurst Emerging Artist Prize, and the Roman Road Residency at The Columbia in London.

G.L.D. – Good Life Decisions, $8,100